Une animation courte fonctionne lorsque le mouvement sert une petite histoire. Précisez le style visuel, le rythme et la transformation attendue plutôt que de demander au modèle de tout animer.
Ces consignes décrivent des plans ; elles ne sont pas des fichiers vidéo. La prise en charge du format, de la durée, des images de référence et du son dépend du modèle. Réglez ces paramètres dans votre outil. Une image fixe générée dans ce guide illustre un cadrage ; elle ne prouve pas qu’un modèle vidéo a produit le mouvement.
Comment utiliser cette collection
Choisissez la tâche la plus proche de votre travail. Copiez le prompt, remplacez la scène ou le contexte générique par vos informations et conservez les contraintes utiles pour évaluer le résultat. Modifiez une variable à la fois afin d’identifier ce qui s’améliore.
Cette méthode reprend les recommandations du guide de rédaction de prompts pour Google Veo : fournir un contexte précis et vérifier la réponse, sans supposer qu’un premier résultat soigné est correct.
Prompts pour présenter la scène
Présentez la scène pour donner au plan un objectif visuel clair. Gardez une seule action par clip.
1. Un bateau en papier traversant une flaque
Create a 9:16 vertical shot of a paper boat crossing a puddle. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.2. Une graine devenant une plante
Create a 9:16 vertical shot of a seed growing into a plant. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.3. Un croquis au crayon devenant une pièce
Create a 9:16 vertical shot of a pencil sketch becoming a room. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.4. Un colis s’ouvrant sur des objets
Create a 9:16 vertical shot of a package opening into objects. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.5. Une aiguille d’horloge traversant les saisons
Create a 9:16 vertical shot of a clock hand moving through seasons. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.6. Un personnage en argile faisant un signe
Create a 9:16 vertical shot of a clay figure waving. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.7. Une carte se dépliant
Create a 9:16 vertical shot of a map unfolding. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.8. Une pile de cartes s’organisant toute seule
Create a 9:16 vertical shot of a stack of cards organizing itself. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.9. Une balle rebondissant parmi des formes
Create a 9:16 vertical shot of a ball bouncing through shapes. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.10. Une lanterne éclairant une rue
Create a 9:16 vertical shot of a lantern lighting a street. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.
Prompts pour suivre l’action
Suivez l’action pour donner au plan un objectif visuel clair. Gardez une seule action par clip.
11. Un bateau en papier traversant une flaque
Create a 9:16 vertical shot of a paper boat crossing a puddle. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.12. Une graine devenant une plante
Create a 9:16 vertical shot of a seed growing into a plant. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.13. Un croquis au crayon devenant une pièce
Create a 9:16 vertical shot of a pencil sketch becoming a room. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.14. Un colis s’ouvrant sur des objets
Create a 9:16 vertical shot of a package opening into objects. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.15. Une aiguille d’horloge traversant les saisons
Create a 9:16 vertical shot of a clock hand moving through seasons. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.16. Un personnage en argile faisant un signe
Create a 9:16 vertical shot of a clay figure waving. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.17. Une carte se dépliant
Create a 9:16 vertical shot of a map unfolding. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.18. Une pile de cartes s’organisant toute seule
Create a 9:16 vertical shot of a stack of cards organizing itself. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.19. Une balle rebondissant parmi des formes
Create a 9:16 vertical shot of a ball bouncing through shapes. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.20. Une lanterne éclairant une rue
Create a 9:16 vertical shot of a lantern lighting a street. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.
Prompts pour montrer un détail
Montrez un détail pour donner au plan un objectif visuel clair. Gardez une seule action par clip.
21. Un bateau en papier traversant une flaque
Create a 9:16 vertical shot of a paper boat crossing a puddle. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.22. Une graine devenant une plante
Create a 9:16 vertical shot of a seed growing into a plant. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.23. Un croquis au crayon devenant une pièce
Create a 9:16 vertical shot of a pencil sketch becoming a room. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.24. Un colis s’ouvrant sur des objets
Create a 9:16 vertical shot of a package opening into objects. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.25. Une aiguille d’horloge traversant les saisons
Create a 9:16 vertical shot of a clock hand moving through seasons. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.26. Un personnage en argile faisant un signe
Create a 9:16 vertical shot of a clay figure waving. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.27. Une carte se dépliant
Create a 9:16 vertical shot of a map unfolding. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.28. Une pile de cartes s’organisant toute seule
Create a 9:16 vertical shot of a stack of cards organizing itself. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.29. Une balle rebondissant parmi des formes
Create a 9:16 vertical shot of a ball bouncing through shapes. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.30. Une lanterne éclairant une rue
Create a 9:16 vertical shot of a lantern lighting a street. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.Que vérifier avant d’utiliser le résultat
Si le résultat ne répond pas à la tâche, raccourcissez le prompt et précisez l’information ou la contrainte manquante. Conservez la version utilisée pour pouvoir reproduire le visuel final ou la modification du code.
