Uma animação curta funciona quando o movimento serve uma pequena história. Defina o estilo visual, o ritmo e a transformação em vez de pedir ao modelo que anime tudo.
Estas instruções descrevem planos de vídeo; não são ficheiros de vídeo. O suporte para proporção, duração, frames de referência e som varia entre modelos. Defina esses controlos na ferramenta que utiliza. Uma imagem gerada neste guia ilustra um frame e não comprova que um modelo de vídeo tenha produzido o movimento.
Como utilizar esta coleção
Escolha a tarefa mais próxima do seu trabalho. Copie o prompt, substitua a cena genérica ou o contexto de código pelos seus dados e mantenha as restrições que ajudam a avaliar o resultado. Altere uma variável de cada vez para identificar o que melhorou.
A abordagem segue o Guia de prompts do Google Veo: forneça contexto concreto e examine o resultado sem assumir que um primeiro rascunho bem apresentado está correto.
Prompts para apresentar a cena
Utilize esta abordagem para apresentar a cena quando o plano precisar de um propósito visual claro. Mantenha apenas uma ação em cada vídeo.
1. Um barco de papel a atravessar uma poça
Create a 9:16 vertical shot of a paper boat crossing a puddle. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.2. Uma semente a transformar-se numa planta
Create a 9:16 vertical shot of a seed growing into a plant. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.3. Um esboço a lápis a transformar-se numa divisão
Create a 9:16 vertical shot of a pencil sketch becoming a room. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.4. Uma embalagem a abrir e revelar objetos
Create a 9:16 vertical shot of a package opening into objects. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.5. Um ponteiro de relógio a percorrer as estações
Create a 9:16 vertical shot of a clock hand moving through seasons. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.6. Uma figura de barro a acenar
Create a 9:16 vertical shot of a clay figure waving. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.7. Um mapa a desdobrar-se
Create a 9:16 vertical shot of a map unfolding. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.8. Uma pilha de cartões a organizar-se
Create a 9:16 vertical shot of a stack of cards organizing itself. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.9. Uma bola a saltar entre formas
Create a 9:16 vertical shot of a ball bouncing through shapes. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.10. Uma lanterna a iluminar uma rua
Create a 9:16 vertical shot of a lantern lighting a street. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.
Prompts para acompanhar a ação
Utilize esta abordagem para acompanhar a ação quando o plano precisar de um propósito visual claro. Mantenha apenas uma ação em cada vídeo.
11. Um barco de papel a atravessar uma poça
Create a 9:16 vertical shot of a paper boat crossing a puddle. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.12. Uma semente a transformar-se numa planta
Create a 9:16 vertical shot of a seed growing into a plant. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.13. Um esboço a lápis a transformar-se numa divisão
Create a 9:16 vertical shot of a pencil sketch becoming a room. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.14. Uma embalagem a abrir e revelar objetos
Create a 9:16 vertical shot of a package opening into objects. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.15. Um ponteiro de relógio a percorrer as estações
Create a 9:16 vertical shot of a clock hand moving through seasons. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.16. Uma figura de barro a acenar
Create a 9:16 vertical shot of a clay figure waving. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.17. Um mapa a desdobrar-se
Create a 9:16 vertical shot of a map unfolding. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.18. Uma pilha de cartões a organizar-se
Create a 9:16 vertical shot of a stack of cards organizing itself. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.19. Uma bola a saltar entre formas
Create a 9:16 vertical shot of a ball bouncing through shapes. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.20. Uma lanterna a iluminar uma rua
Create a 9:16 vertical shot of a lantern lighting a street. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.
Prompts para mostrar um detalhe
Utilize esta abordagem para mostrar um detalhe quando o plano precisar de um propósito visual claro. Mantenha apenas uma ação em cada vídeo.
21. Um barco de papel a atravessar uma poça
Create a 9:16 vertical shot of a paper boat crossing a puddle. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.22. Uma semente a transformar-se numa planta
Create a 9:16 vertical shot of a seed growing into a plant. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.23. Um esboço a lápis a transformar-se numa divisão
Create a 9:16 vertical shot of a pencil sketch becoming a room. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.24. Uma embalagem a abrir e revelar objetos
Create a 9:16 vertical shot of a package opening into objects. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.25. Um ponteiro de relógio a percorrer as estações
Create a 9:16 vertical shot of a clock hand moving through seasons. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.26. Uma figura de barro a acenar
Create a 9:16 vertical shot of a clay figure waving. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.27. Um mapa a desdobrar-se
Create a 9:16 vertical shot of a map unfolding. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.28. Uma pilha de cartões a organizar-se
Create a 9:16 vertical shot of a stack of cards organizing itself. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.29. Uma bola a saltar entre formas
Create a 9:16 vertical shot of a ball bouncing through shapes. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.30. Uma lanterna a iluminar uma rua
Create a 9:16 vertical shot of a lantern lighting a street. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.O que verificar antes de utilizar o resultado
Se o resultado não cumprir a tarefa, encurte o prompt e indique o facto ou a restrição em falta. Guarde a versão utilizada para que o recurso final ou a alteração de código possam ser reproduzidos.
