Kurze Animationen funktionieren, wenn die Bewegung eine kleine Geschichte erzählt. Beschreibe Stil, Timing und Veränderung, statt das Modell alles zugleich animieren zu lassen.
Dies sind Anweisungen für Einstellungen, keine Videodateien. Welche Seitenverhältnisse, Laufzeiten, Referenzbilder und Tonfunktionen ein Modell unterstützt, ist unterschiedlich. Stelle diese Optionen in deinem tatsächlichen Werkzeug ein. Ein generiertes Standbild in diesem Leitfaden veranschaulicht einen Frame; es belegt nicht, dass ein Videomodell die Bewegung erzeugt hat.
So nutzt du diese Sammlung
Wähle die Aufgabe, die deiner Arbeit am nächsten kommt. Kopiere den Prompt und ersetze die allgemeine Szene oder den Code-Kontext durch deine eigenen Angaben. Behalte die Vorgaben bei, mit denen du das Ergebnis prüfen kannst. Ändere jeweils eine Variable, damit du erkennst, was besser geworden ist.
Der Ansatz folgt dem Google-Veo-Leitfaden für Prompts: Gib konkreten Kontext an und prüfe die Ausgabe, statt einen überzeugend formulierten ersten Entwurf ungeprüft zu übernehmen.
Prompts zur Einführung einer Szene
Nutze die Einführung einer Szene, wenn die Einstellung einen klaren visuellen Zweck braucht. Beschränke jeden Clip auf eine Handlung.
1. Ein Papierboot überquert eine Pfütze
Create a 9:16 vertical shot of a paper boat crossing a puddle. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.2. Aus einem Samen wächst eine Pflanze
Create a 9:16 vertical shot of a seed growing into a plant. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.3. Eine Bleistiftskizze wird zu einem Raum
Create a 9:16 vertical shot of a pencil sketch becoming a room. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.4. Eine Verpackung öffnet sich und gibt Gegenstände frei
Create a 9:16 vertical shot of a package opening into objects. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.5. Ein Uhrzeiger bewegt sich durch die Jahreszeiten
Create a 9:16 vertical shot of a clock hand moving through seasons. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.6. Eine Tonfigur winkt
Create a 9:16 vertical shot of a clay figure waving. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.7. Eine Karte entfaltet sich
Create a 9:16 vertical shot of a map unfolding. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.8. Ein Kartenstapel ordnet sich selbst
Create a 9:16 vertical shot of a stack of cards organizing itself. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.9. Ein Ball hüpft durch verschiedene Formen
Create a 9:16 vertical shot of a ball bouncing through shapes. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.10. Eine Laterne beleuchtet eine Straße
Create a 9:16 vertical shot of a lantern lighting a street. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.
Prompts zum Verfolgen einer Handlung
Nutze das Verfolgen einer Handlung, wenn die Einstellung einen klaren visuellen Zweck braucht. Beschränke jeden Clip auf eine Handlung.
11. Ein Papierboot überquert eine Pfütze
Create a 9:16 vertical shot of a paper boat crossing a puddle. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.12. Aus einem Samen wächst eine Pflanze
Create a 9:16 vertical shot of a seed growing into a plant. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.13. Eine Bleistiftskizze wird zu einem Raum
Create a 9:16 vertical shot of a pencil sketch becoming a room. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.14. Eine Verpackung öffnet sich und gibt Gegenstände frei
Create a 9:16 vertical shot of a package opening into objects. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.15. Ein Uhrzeiger bewegt sich durch die Jahreszeiten
Create a 9:16 vertical shot of a clock hand moving through seasons. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.16. Eine Tonfigur winkt
Create a 9:16 vertical shot of a clay figure waving. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.17. Eine Karte entfaltet sich
Create a 9:16 vertical shot of a map unfolding. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.18. Ein Kartenstapel ordnet sich selbst
Create a 9:16 vertical shot of a stack of cards organizing itself. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.19. Ein Ball hüpft durch verschiedene Formen
Create a 9:16 vertical shot of a ball bouncing through shapes. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.20. Eine Laterne beleuchtet eine Straße
Create a 9:16 vertical shot of a lantern lighting a street. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.
Prompts für Detailaufnahmen
Nutze eine Detailaufnahme, wenn die Einstellung einen klaren visuellen Zweck braucht. Beschränke jeden Clip auf eine Handlung.
21. Ein Papierboot überquert eine Pfütze
Create a 9:16 vertical shot of a paper boat crossing a puddle. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.22. Aus einem Samen wächst eine Pflanze
Create a 9:16 vertical shot of a seed growing into a plant. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.23. Eine Bleistiftskizze wird zu einem Raum
Create a 9:16 vertical shot of a pencil sketch becoming a room. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.24. Eine Verpackung öffnet sich und gibt Gegenstände frei
Create a 9:16 vertical shot of a package opening into objects. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.25. Ein Uhrzeiger bewegt sich durch die Jahreszeiten
Create a 9:16 vertical shot of a clock hand moving through seasons. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.26. Eine Tonfigur winkt
Create a 9:16 vertical shot of a clay figure waving. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.27. Eine Karte entfaltet sich
Create a 9:16 vertical shot of a map unfolding. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.28. Ein Kartenstapel ordnet sich selbst
Create a 9:16 vertical shot of a stack of cards organizing itself. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.29. Ein Ball hüpft durch verschiedene Formen
Create a 9:16 vertical shot of a ball bouncing through shapes. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.30. Eine Laterne beleuchtet eine Straße
Create a 9:16 vertical shot of a lantern lighting a street. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.Was du vor der Verwendung des Ergebnisses prüfen solltest
Wenn die Ausgabe die Aufgabe verfehlt, kürze den Prompt und ergänze die fehlende Angabe oder Vorgabe. Halte fest, welche Version du verwendet hast, damit sich das fertige Material oder die Code-Änderung reproduzieren lässt.
