Un'animazione breve funziona quando il movimento racconta qualcosa di preciso. Specifica stile visivo, tempi e trasformazioni, invece di chiedere di animare ogni elemento.
Questi sono brief di ripresa, non file video. Il supporto per formato, durata, fotogrammi di riferimento e audio cambia secondo il modello: imposta questi parametri nello strumento che usi. Un'immagine generata nella guida illustra un fotogramma e non dimostra che un modello video abbia realizzato il movimento.
Come usare questa raccolta
Scegli l'attività più vicina al tuo lavoro. Copia il prompt, sostituisci la scena generica o il contesto del codice con i tuoi dati e mantieni i vincoli utili a valutare il risultato. Modifica una variabile alla volta per capire cosa migliora.
Il metodo segue la guida ai prompt di Google Veo: fornisci un contesto preciso e controlla il risultato, senza dare per corretta una prima bozza ben presentata.
Prompt per presentare la scena
Usa i prompt di presentazione della scena per definire lo scopo visivo dell'inquadratura. Mantieni una sola azione in ogni clip.
1. Una barchetta di carta che attraversa una pozzanghera
Create a 9:16 vertical shot of a paper boat crossing a puddle. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.2. Un seme che diventa una pianta
Create a 9:16 vertical shot of a seed growing into a plant. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.3. Uno schizzo a matita che diventa una stanza
Create a 9:16 vertical shot of a pencil sketch becoming a room. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.4. Un pacco che si apre e rivela oggetti
Create a 9:16 vertical shot of a package opening into objects. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.5. Una lancetta che attraversa le stagioni
Create a 9:16 vertical shot of a clock hand moving through seasons. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.6. Una figura di argilla che saluta
Create a 9:16 vertical shot of a clay figure waving. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.7. Una mappa che si apre
Create a 9:16 vertical shot of a map unfolding. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.8. Un mazzo di carte che si ordina da solo
Create a 9:16 vertical shot of a stack of cards organizing itself. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.9. Una palla che rimbalza tra forme
Create a 9:16 vertical shot of a ball bouncing through shapes. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.10. Una lanterna che illumina una strada
Create a 9:16 vertical shot of a lantern lighting a street. Use a wide opening frame, one clear subject, a visible setting and stable horizon. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.
Prompt per seguire l'azione
Usa i prompt che seguono l'azione per definire lo scopo visivo dell'inquadratura. Mantieni una sola azione in ogni clip.
11. Una barchetta di carta che attraversa una pozzanghera
Create a 9:16 vertical shot of a paper boat crossing a puddle. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.12. Un seme che diventa una pianta
Create a 9:16 vertical shot of a seed growing into a plant. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.13. Uno schizzo a matita che diventa una stanza
Create a 9:16 vertical shot of a pencil sketch becoming a room. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.14. Un pacco che si apre e rivela oggetti
Create a 9:16 vertical shot of a package opening into objects. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.15. Una lancetta che attraversa le stagioni
Create a 9:16 vertical shot of a clock hand moving through seasons. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.16. Una figura di argilla che saluta
Create a 9:16 vertical shot of a clay figure waving. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.17. Una mappa che si apre
Create a 9:16 vertical shot of a map unfolding. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.18. Un mazzo di carte che si ordina da solo
Create a 9:16 vertical shot of a stack of cards organizing itself. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.19. Una palla che rimbalza tra forme
Create a 9:16 vertical shot of a ball bouncing through shapes. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.20. Una lanterna che illumina una strada
Create a 9:16 vertical shot of a lantern lighting a street. Use a single motivated camera move that follows the subject without sudden direction changes. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.
Prompt per mostrare un dettaglio
Usa i prompt di dettaglio per definire lo scopo visivo dell'inquadratura. Mantieni una sola azione in ogni clip.
21. Una barchetta di carta che attraversa una pozzanghera
Create a 9:16 vertical shot of a paper boat crossing a puddle. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.22. Un seme che diventa una pianta
Create a 9:16 vertical shot of a seed growing into a plant. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.23. Uno schizzo a matita che diventa una stanza
Create a 9:16 vertical shot of a pencil sketch becoming a room. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.24. Un pacco che si apre e rivela oggetti
Create a 9:16 vertical shot of a package opening into objects. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.25. Una lancetta che attraversa le stagioni
Create a 9:16 vertical shot of a clock hand moving through seasons. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.26. Una figura di argilla che saluta
Create a 9:16 vertical shot of a clay figure waving. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.27. Una mappa che si apre
Create a 9:16 vertical shot of a map unfolding. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.28. Un mazzo di carte che si ordina da solo
Create a 9:16 vertical shot of a stack of cards organizing itself. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.29. Una palla che rimbalza tra forme
Create a 9:16 vertical shot of a ball bouncing through shapes. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.30. Una lanterna che illumina una strada
Create a 9:16 vertical shot of a lantern lighting a street. Use a close view of a meaningful action, tactile material and plausible hand or object movement. Show one continuous action, not a montage. Keep the subject, geometry and light consistent. End on a composition an editor can hold or cut from. No added text, logos or abrupt morphs.Cosa verificare prima di usare il risultato
Se il risultato non risponde al compito, accorcia il prompt e precisa il fatto o il vincolo mancante. Conserva la versione usata per poter riprodurre il contenuto finale o la modifica al codice.
